The work is based on Umberto Boccioni's “La città che sale” (1910): the red horse, protagonist of the futurist painter's work, is reproduced here using hundreds of pieces of insulating tape, which replace Boccioni's brushstrokes.
Some of these pieces of tape extend beyond the two-dimensionality of the work and invade the space, revealing themselves for what they are: nothing more than the tracks left by the wheels of 41 die-cast metal car models which, pursued by improbable Italian police cars, collide with each other.
The title echoes the opening line of a famous Italian stadium chant from the 1990s, which ironically referred to the integrity of the police, alluding to the famous events involving the Uno Bianca gang.